35, the Haffner, has a second movement in G major. Since Pauer was really looking at important works and we’re talking about the affect of the key of G major, we can look at two G major movements from the two late symphonies and see if we can figure out what he was looking at. Pauer also chooses Mozart’s “Symphony in D major.” This isn’t as specific as it sounds, as Mozart’s Symphonies Nos. Mozart: Don Giovanni: Act I, Scene 14: Dalla sua pace (Kenneth Riegel, Don Ottavio Paris National Opera Orchestra Lorin Maazel, cond.) 36: Recitative: Und zog mit einer Schar (Alto) – Arioso: Doch der Herr vergisst der Seinen nicht (Annette Markert, alto La Chapelle Royale Orchestre des Champs-Elysées Philippe Herreweghe, cond.)įrom Mozart’s Don Giovanni, Pauer selects Ottavio’s second aria “Dalla sua pace.” This aria, coming at the end of Act I, is Ottavio’s vow to keep a protective eye on the newly orphaned Donna Anna, declaring that it is “On her peace, my peace depends”. The opening recitative describes the crowd at Damascus before the Voice of Christendom comes in at the aria to say that the Lord protects his followers – clearly part of Pauer’s sincerity of faith affect. Paul, “Doch der Herr vergisst der Seinen nicht” (But the Lord is mindful of his own). For his examples, he chooses works by Mendelssohn, Mozart, Rossini, Haydn, and Beethoven.įrom Mendelssohn, he chooses a recitative and aria from part I of his oratorio, St. Pauer saw the key of G major as the key of youth, a key that expresses sincerity of faith, quiet love, calm meditation, simple grace, pastoral life, and a certain humour and brightness. But, unlike them, he actually listed works that he felt fulfilled his requirements. In the second chapter, he looks at the affective properties of keys, as did many other 19th century composers. One of his most interesting works is his book, The Elements of the Beautiful in Music, published in London in 1876. He was one of the first piano professors at the Royal College of Music and also worked with the music faculty at the University of Cambridge. The title page for the first edition of The SeasonsThe Austrian composer and pianist Ernst Pauer (1826-1905) was a student of Mozart’s son, Franz Xaver Wolfgang Mozart, before moving to London in 1851.
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